A little boy dashes from the Visitor Center into the brightly quiet wonder of A Longwood Christmas. His eyes, wide as the night, reflect the glow of the big old elm, tall as the sky and brilliant with light, perhaps borrowed from the stars above. “How do they do all of this?” he exclaims. A December breeze catches the branches and makes the lights twinkle even more brightly. Or could it be the spirit of Christmas at Longwood—the unseen essence that animates the place and its people?

During the past year, Longwood guests have had the opportunity to watch the revitalization of the Main Fountain Garden. The current view in front of the Conservatory may not appear to be an obvious source of aesthetic inspiration for other projects around the Gardens; however, Longwood’s Display Designer, Jim Sutton, has placed this massive project at the heart of the Gardens’ Christmas theme. This year, fountains and the essence of water inform every aspect of the Conservatory’s display as the Main Fountain Garden revitalization continues a short distance away.

A life lesson here in Japan is that beauty is, without a doubt, in the eye of the beholder. Learning about the Japanese perception of beauty in contrast to our own has been a fascinating study in aesthetic. The chrysanthemum has provided us with the perfect subject matter to view these differences and has given us a whole new perspective on our own Chrysanthemum Festival at Longwood Gardens.

Something new happened in the Trial Garden this summer. For the first time, Longwood staff members from throughout the Gardens were given the opportunity to design their own plant combinations. Those who participated had to select three to eight plants from a list of over 160 plant species and cultivars. With 26 different combinations, our guests had the difficult task of choosing their favorite three garden beds. Look to see if your vote was one of the winning combinations!

The final installment of the Nightscape Artist & Friends Speaker Series took place last Friday with a new set of panelists. Navid Khonsari and Torfi Frans Olafsson shared stories about their professional backgrounds with Ricardo Rivera, the director of Nightscape and founding partner of Klip Collective. Khonsari is the Executive Producer of iNK Stories, an independent media studio that pushes the boundaries of storytelling through documentaries, film, and video games. Olafsson serves as the Creative Director of EVE Universe IP Development for CCP Games. Friday’s conversation continued the series’ analysis of human agency—or an individual’s power to act—and technology’s ability to enhance the immersive experience of an artwork.

Last Friday saw the third installment of Longwood’s Artist & Friends Speaker Series for Nightscape: A Light and Sound Experience by Klip Collective. Two new panelists joined Ricardo Rivera, founding member of Klip Collective and mastermind of Nightscape, but the group’s conversation about experience and storytelling picked up right where it left off in August. Yelena Rachitsky, Creative Producer of the Future of StoryTelling Summit, and Lance Weiler, Founding Member and Director of the Columbia University Digital Storytelling Lab, joined Rivera to discuss the intersection of human experience, technology, and narrative as it relates to Nightscape. The abstract nature of Nightscape is the common thread weaving through the Artist & Friends Speaker Series. If Rivera and his team are sure about one thing, it is that Nightscape challenges the certainty, absolutes, and rules that tend to govern our waking lives. Instead, imagination, wonder, and curiosity serve as the viewer’s best guides throughout the installations.

This summer, Longwood Gardens is doing something new with our Trial Garden. We have always put the voting power in the hands of our guests, asking them to cast a ballot for their favorite plants. But this year, our guests will vote for combinations of plants, judging a friendly competition among staff members over who created the most beautiful garden beds. Teams and individuals entered the competition this spring, creating 26 unique plots for your viewing pleasure. Each garden uses anywhere from three to eight plants that were selected from a list of over 160 species and cultivars—many of which are tried-and-true Longwood favorites, but some of which are new to Longwood. Some designers took creative inspiration from their favorite genera, while others played with varying color themes or were inspired by travels to distant lands.

Last Friday, Longwood Gardens hosted the second installment of the Artist & Friends Speaker Series for Nightscape: A Light and Sound Experience by Klip Collective. Ricardo Rivera, creator of Nightscape and founding partner of Klip Collective, returned to participate with Josh Goldblum (Founder and CEO of Bluecadet) and Nick Fortugno (Co-Founder and COO of Playmatics). The discussion centered on the role of technology in Nightscape, especially regarding its power to add depth to the viewer’s experience. The panelists debated the concept of “experience” and its relevance to cultural institutions. How do we draw the line between engaging with something personally—such as physically walking through and taking in the Nightscape installations—and viewing images of it on a screen or hearing about it second-hand? Both are experiences … but how does one create something that’s deeply affective rather than passive or even derivative?

There is a scene in Akira Kurosawa's Dreams that has tugged at me for years, where a little boy escapes into the woods and sees a parade of foxes. He chances upon it and is not supposed to see it. It is a magical moment of uncertainty and amazement. I wanted to create that kind of feeling with Nightscape: A Light and Sound Experience by Klip Collective. For Klip Collective, the future of art is creating experience as art. We want to create a body of work where the audience has to move through it physically. Years ago, Klip Collective created a one-hundred-foot wide veil of smoke in a meadow where we projected fireflies that danced in frantic flight. It was designed to be viewed from a distance and seen in a larger context. To our surprise, people walked right into it. The audience wanted to be surrounded and lost in the chaos of the moment. Seeing how people were drawn to the lights and how they reacted to the experience inspired me to explore the idea of experience as art … and that began the process for Nightscape.

Last Friday, the first of four installments of the Artists & Friends Speakers Series took place with three panelists: Ricardo Rivera, director of Nightscape: A Light and Sound Experience by Klip Collective and founding member of Klip Collective; composer and musician Jon Barthmus of Sun Airway; and composer and musician Justin Geller of Pink Skull. Guests heard the panelists discuss their varied artistic backgrounds, and they also learned about the lengthy collaboration and development process for the sights and sounds that combine to create the Nightscape installations. The minds behind Nightscape are friends who have worked together on several different projects. When Rivera found out that Klip Collective would be working with Longwood Gardens, he knew right away that relying on Barthmus and Pink Skull for Nightscape’s music would perfectly bind together his video installations in different parts of the Gardens.

With the opening of Nightscape: A Light and Sound Experience by Klip Collective, our guests will have many fascinating subjects to photograph. However, nighttime photography poses a unique set of challenges, and requires a much different approach than taking pictures during the day. Read our blog for some tips to avoid blurry, washed out images. We love to see the Gardens through our guests’ lenses—please share your pictures using #Nightscape2015.

Are technology and gardens two incongruous concepts? How about enjoying a space filled with sunloving plants in the darkness of night? Does it seem like a paradox? At Longwood, we don’t think so. This summer we are bringing you Nightscape: A Light and Sound Experience by Klip Collective, which uses technology to illuminate the Gardens at night to amazing effect. This exhibition is a continuation of our nighttime garden experiences, a tradition that goes all the way back to our founder, Pierre S. du Pont. Mr. du Pont believed that gardens are for nighttime as well as daytime enjoyment. He entertained his family and friends at night, throwing garden parties that included dancers and musicians. He even built the Open Air Theatre to have a venue dedicated to entertainment in the garden.

Lost in the Meadow . . . those four words can conjure up very different meanings. Maybe you actually got lost in Longwood’s Meadow Garden, or perhaps another meadow. Maybe that phrase has metaphoric meaning, that you lose yourself while surrounded by beauty and nature. Whatever the case, Lost in the Meadow is the title of a new play being developed right before our very eyes—in our very own Meadow Garden. In the spring of 2011, a year after Longwood Gardens and People’s Light & Theatre agreed to partner to create a new play, teams of playwrights and set designers gathered for an immersive weekend, seeking to absorb everything they could about our Gardens. The playwrights were here to develop ideas for a new play inspired by Longwood. After concepts were developed, board members and staff representatives from both organizations heard the playwrights “pitch” their ideas. Out of those pitches, we decided to give one team the green light to start writing and designing. We were ready to proceed!

The Japanese art of bonsai originated in China as the practice known as penjing. Early in Chinese history, trees and other plants were collected from the wild and grown in containers. The practice moved to Japan many centuries ago through social and economic interaction with China. Over the years, both countries developed various techniques that we continue to use in creating bonsai today. The Japanese word bonsai translates to "tree in a shallow pot." Though some plants in our collection date back to the early 1900s, bonsai were not part of our displays during the time of our founder, Pierre S. du Pont. In 1959, five years after Pierre’s death, renowned bonsai artist Yuji Yoshimura presented a class in our Continuing Education program. It was so well received that our staff members decided we should have some bonsai of our own.

TechniCulture, hosted by the Greater Philadelphia Cultural Alliance, was held April 17 at the Chemical Heritage Foundation. Longwood Gardens was a great fit to present at this year’s TechniCulture, since innovation is a key part of our legacy and continues to be integral to our Gardens’ future.

After a long winter, we’re finally seeing the spectacular colors of tulips throughout the Gardens. With color blocked borders of approximately 100,000 tulips every year, the display on the Flower Garden Walk is always an anticipated sight.

This year, we’ve brought a unique and rare Phalaenopsis Sogo Yukidian ‘V3’ hybrid to Orchid Extravaganza, which we believe is being displayed for the first time in a US public garden. The ‘V3’ moth orchids featured on the center walk of our Orangery have unusually long flower spikes with as many as 18 open flowers on a single spike (with more buds yet to open)! Photo by Trilbey Smith.

If you’ve visited the Gardens recently, you know that Longwood has taken flight this season with a stunning bird-inspired holiday display. What you may not know is that this area of Pennsylvania has a rich history in the study of ornithology. Illustration of American sparrow hawk and field sparrow, drawn from nature by A. Wilson, engraved by A. Lawson. From American Ornithology.

This fall, be sure to explore our Bonsai Display, where some of the best surprises of Chrysanthemum Festival come in small packages. Anemone Chrysanthemum x morifulium ‘Kotoi No Kaori’, photo by William Hill.

This year, 230,000 chrysanthemum blooms fill our 4-acre Conservatory in forms of cascades, shields, spirals, pagodas and of course, our most impressive Thousand Bloom Mum yet, featuring 1,515 blooms.