Photography Master Class: Cameraless with Shoshannah White

Photography Master Class: Cameraless with Shoshannah White

IN-PERSON CREATIVE ARTS CLASS
A persons hands holding three pinecones.
Hank Davis

Dates & Price

April 10, 2026
12:30–4:30 pm


Fee: $179

Fee for Innovators, Gardens Preferred, and Gardens Premium Members: $161


Fee includes all-day admission to the Gardens on the day the class is onsite.

This class is intended as an adult learning experience. Find out more about our Family Learning experiences.


Registrations may be cancelled up to two weeks before the event, and your registration fee, less a $30 processing fee, will be refunded. Please note that refunds are not available for programs moved to scheduled inclement weather dates.

To notify us of your cancellation, email us or call 610-388-5454.

Register by April 5, 2026

Gardens Preferred, Gardens Premium Members and Innovators save on Continuing Education Courses

A 10% discount on classes will be applied automatically at the time of checkout. 

Participants work with natural materials collected onsite, experimenting with scanography, layering, movement, and translucent surfaces to create richly detailed, reproducible images. The workshop blends historic and contemporary approaches, including cliché verre, hand-drawn glass negatives, and herbarium-inspired compositions, encouraging slow looking and close observation of form and material. A guided ecology-focused garden tour provides source material and context, deepening the connection between landscape, process, and image-making. 

Location

The Grove Studios 104 & 105

Instructor

Shoshannah White

Shoshannah White is an interdisciplinary, photography-based artist who divides her time between Roswell, New Mexico and Portland, Maine. Her work has been supported by numerous grants and residencies in the U.S., Canada, and the Arctic Circle, and is held in major public and private collections including the Portland Museum of Art and the Bates College Museum of Art. White has exhibited widely in the U.S. and internationally, completed multiple public art commissions, and regularly teaches workshops while serving as a visiting artist and critic at colleges and universities. Her work has also appeared in prominent editorial and art publications and is represented by galleries in Maine, New Mexico, and Canada.